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Room Simulation for Multichannel Film and Music by Knud Christensen & Thomas Lund (pdf) @ TCelectronic
Reverb and Room Simulation in the Multichannel Era by Knud Christensen (pdf) @ TCelectronic
Enhanced Localization in 5.1 Production by Thomas Lund (pdf) @ TCelectronic
20 Tips on Using Effects in the Mix (by Paul White - Sound On Sound - Jul 1999)
Advanced Reverb: Part 1 (by Paul White - SOS - Oct 2001)
Advanced Reverb: Part 2 (by Paul White - SOS - Nov 2001)
Chain, Chain, Chain (by Michael Cooper - Electronic Musician - Feb 2002)
Chorus (by Scott Lehman - Harmony-Central - 1996)
Delay (by Scott Lehman - Harmony-Central - 1996)
Delay Fun 101 (AnalogX - 2000)
Expanding Your Effects Horizons, Part 1 (by Paul White - SOS - Nov 2000)
Expanding Your Effects Horizons, Part 2 (by Paul White - SOS - Dec 2000)
Favorite Effects Tips from the Trenches (by Nick Peck - Electronic Musician - Mar 2000)
Flanging (by Scott Lehman - Harmony-Central - 1996)
In Theory, Part 1: DSP Theory Introduced (by Jose-Maria Catena - ProRec - Oct 1998)
In Theory, Part 2: Frequency Filters (by Jose-Maria Catena - ProRec - Nov 1998)
Integrating Mixing and Signal Processing (by Craig Anderton - Sound On Sound - Jun 1997)
More Than You Ever Wanted to Know about Phasers (by Fred Ridder and Michael Beigel - beitec.com)
Multi-Effects 101 (by John Duesenberry - Electronic Musician - Jun 2000)
Multi-Effects 102 (by John Duesenberry - Electronic Musician - Jul 2000)
Multi-Effects Explained, Part 1 (by Paul White - Sound On Sound - Jul 1997)
Multi-Effects Explained, Part 2 (by Paul White - Sound On Sound - Aug 1997)
Multi-Effects Explained, Part 3 (by Paul White - Sound On Sound - Sep 1997)
Multi-Effects Explained, Part 4 (by Paul White - Sound On Sound - Oct 1997)
Multi-Effects Explained, Part 5 (by Paul White - Sound On Sound - Nov 1997)
On the Importance of Formants in Pitch Scaling (by Stephen Sprenger - dspdimension.com - 1999)
Phase Shifting (by Scott Lehman - Harmony-Central - 1996)
Putting Your Effects in Order (by Craig Anderton - Alesis - 2000)
Reexamining Vintage Analog Effects (by Barry Cleveland - Electronic Musician - Jan 2000)
Reflected Glory: Reverb FAQ (by Mike Senior - Sound On Sound - May 2000)
Reverb From First Principles (by Hugh Robjohns - Sound On Sound - Mar 1997)
Reverberation (by John Moxey - The Recording Website/Songstuff.com - 2001)
Reverberation (by Scott Lehman - Harmony-Central - 1996)
Ring Modulation (by Scott Lehman - Harmony-Central - 1996)
Signal Processors (by Peter Elsea - University of California, Santa Cruz - 1996)
Sound Advice on Effects & Processing (by Neville Wake - Drawmer - for TheMix - Jul 1996)
Spatial Processing Tools (by Rip Rowan - ProRec - Sep 1999)
Ten Tips for Guitar Multi-Effects (by Craig Anderton - Alesis - 2000)
Time Stretching and Pitch shifting overview @ dspdimension.com .pdf)
Formants and pitch shifting (by Stephen Sprenger @ dspdimension.com .pdf.)
Understanding and Emulating Vintage Effects (by Paul White - SOS - Jan 2001)
Understanding Reverb (by Moshe Wohl - slackmaster2000)
Using Echo, Delay and Etc... (by Bobby Nathan - 1985)
Using OnBoard Synth Effects, Part 1 (by Paul Wiffen - Sound On Sound - Mar 1999)
Using OnBoard Synth Effects, Part 2 (by Paul Wiffen - Sound On Sound - Apr 1999)
Using OnBoard Synth Effects, Part 3 (by Paul Wiffen - Sound On Sound - Jun 1999)
Using OnBoard Synth Effects, Part 4 (by Paul Wiffen - Sound On Sound - Jul 1999)
Using Pre-Delay and Reverb (by Bobby Nathan - 1985)
Where to Use Processors and Why: Chorus, Phasing, Flanging (by Paul White - Sound On Sound - Jan 1998)
Where to Use Processors and Why: Delay (by Paul White - Sound On Sound - Feb 1998)
Where to Use Processors and Why: Reverb (by Paul White - Sound On Sound - Dec 1997)
Where to Use Processors and Why: Valves (by Paul White - Sound On Sound - Mar 1998)
Why Delay? Start Delaying Today (by John B. Black - Guitar Nine Records)
 
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