User submission
Room
Simulation for Multichannel Film and Music by Knud Christensen
& Thomas Lund (pdf) @ TCelectronic
Reverb
and Room Simulation in the Multichannel Era by Knud Christensen (pdf) @
TCelectronic
Enhanced
Localization in 5.1 Production by Thomas Lund (pdf) @ TCelectronic
20
Tips on Using Effects in the Mix (by Paul White - Sound On Sound - Jul
1999)
Advanced
Reverb: Part 1 (by Paul White - SOS - Oct 2001)
Advanced
Reverb: Part 2 (by Paul White - SOS - Nov 2001)
Chain,
Chain, Chain (by Michael Cooper - Electronic Musician - Feb 2002)
Chorus
(by Scott Lehman - Harmony-Central - 1996)
Delay
(by Scott Lehman - Harmony-Central - 1996)
Delay
Fun 101 (AnalogX - 2000)
Expanding
Your Effects Horizons, Part 1 (by Paul White - SOS - Nov 2000)
Expanding
Your Effects Horizons, Part 2 (by Paul White - SOS - Dec 2000)
Favorite
Effects Tips from the Trenches (by Nick Peck - Electronic Musician -
Mar 2000)
Flanging
(by Scott Lehman - Harmony-Central - 1996)
In
Theory, Part 1: DSP Theory Introduced (by Jose-Maria Catena - ProRec -
Oct 1998)
In
Theory, Part 2: Frequency Filters (by Jose-Maria Catena - ProRec - Nov
1998)
Integrating
Mixing and Signal Processing (by Craig Anderton - Sound On Sound - Jun
1997)
More Than
You Ever Wanted to Know about Phasers (by Fred Ridder and Michael
Beigel - beitec.com)
Multi-Effects
101 (by John Duesenberry - Electronic Musician - Jun 2000)
Multi-Effects
102 (by John Duesenberry - Electronic Musician - Jul 2000)
Multi-Effects
Explained, Part 1 (by Paul White - Sound On Sound - Jul 1997)
Multi-Effects
Explained, Part 2 (by Paul White - Sound On Sound - Aug 1997)
Multi-Effects
Explained, Part 3 (by Paul White - Sound On Sound - Sep 1997)
Multi-Effects
Explained, Part 4 (by Paul White - Sound On Sound - Oct 1997)
Multi-Effects
Explained, Part 5 (by Paul White - Sound On Sound - Nov 1997)
On
the Importance of Formants in Pitch Scaling (by Stephen Sprenger -
dspdimension.com - 1999)
Phase
Shifting (by Scott Lehman - Harmony-Central - 1996)
Putting
Your Effects in Order (by Craig Anderton - Alesis - 2000)
Reexamining
Vintage Analog Effects (by Barry Cleveland - Electronic Musician - Jan
2000)
Reflected
Glory: Reverb FAQ (by Mike Senior - Sound On Sound - May 2000)
Reverb
From First Principles (by Hugh Robjohns - Sound On Sound - Mar 1997)
Reverberation
(by John Moxey - The Recording Website/Songstuff.com - 2001)
Reverberation
(by Scott Lehman - Harmony-Central - 1996)
Ring
Modulation (by Scott Lehman - Harmony-Central - 1996)
Signal
Processors (by Peter Elsea - University of California, Santa Cruz -
1996)
Sound
Advice on Effects & Processing (by Neville Wake - Drawmer - for
TheMix - Jul 1996)
Spatial
Processing Tools (by Rip Rowan - ProRec - Sep 1999)
Ten
Tips for Guitar Multi-Effects (by Craig Anderton - Alesis - 2000)
Time Stretching and Pitch shifting overview
@ dspdimension.com .pdf)
Formants
and pitch shifting (by Stephen Sprenger @ dspdimension.com .pdf.)
Understanding
and Emulating Vintage Effects (by Paul White - SOS - Jan 2001)
Understanding
Reverb (by Moshe Wohl - slackmaster2000)
Using
Echo, Delay and Etc... (by Bobby Nathan - 1985)
Using
OnBoard Synth Effects, Part 1 (by Paul Wiffen - Sound On Sound - Mar
1999)
Using
OnBoard Synth Effects, Part 2 (by Paul Wiffen - Sound On Sound - Apr
1999)
Using
OnBoard Synth Effects, Part 3 (by Paul Wiffen - Sound On Sound - Jun
1999)
Using
OnBoard Synth Effects, Part 4 (by Paul Wiffen - Sound On Sound - Jul
1999)
Using
Pre-Delay and Reverb (by Bobby Nathan - 1985)
Where
to Use Processors and Why: Chorus, Phasing, Flanging (by Paul White -
Sound On Sound - Jan 1998)
Where
to Use Processors and Why: Delay (by Paul White - Sound On Sound - Feb
1998)
Where
to Use Processors and Why: Reverb (by Paul White - Sound On Sound - Dec
1997)
Where
to Use Processors and Why: Valves (by Paul White - Sound On Sound - Mar
1998)
Why
Delay? Start Delaying Today (by John B. Black - Guitar Nine Records)
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